2020 | Edições Afrontamento We all know. There was a political decolonization in Portugal. But the decolonization of mentalities is still missing. One of the perspectives allowing to reflect upon and question this issue is the one of popular music. This is a territory where both the conflictualities and the ambiguities, or potentialities, of postcolonialism are particularly reflected. The richness of bringing things together, namely as a way of affirmation for Europe, is valued, but chronologies of tension are perpetuated as well. Which does not imply that music is not a fascinating place of social experimentation, generating visibilities, stimulating discourses encompassing different urgent issues. This is a history constructed by numerous authors of the second and third generations of afro-descendants, from General D to DJ Marfox or Dino d'Santiago, who have proved able, in the last two decades, to displace certainties, carrying along new experiences, practising music for dancing, thinking and acting. To stand still is no option.